不安分的年轻人们

• HD中字

• HD中字

不安分的年轻人们电影是一部上映于1958年的剧情片，在法国上映后获得了电影迷的一致好评，其中主演帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔等人也有不孰的表现，《不安分的年轻人们》电影的整体故事节奏进展有序，《不安分的年轻人们》背景人物、矛盾冲突都在电影中交代清楚了，《不安分的年轻人们》的台词也蛮有梗有趣的，同时对于《不安分的年轻人们》电影来说，至关重要的是《不安分的年轻人们》导演马塞尔·卡尔内将专业演员和非专业演员放在一起，这种对演员和表演直觉一般的把握，证明了马塞尔·卡尔内的导演功力已经炉火纯青了。

如果你查看《不安分的年轻人们》的演职员表；相信提起导演马塞尔·卡尔内执导的特点，从《不安分的年轻人们》里的第一场对话戏中，就可以看出导演马塞尔·卡尔内对演员的要求是非常高的，《不安分的年轻人们》也有一段纯对话戏，通过不安分的年轻人们主演你来我往的深入聊天，来拉近观众与不安分的年轻人们人物之间的关系。在《不安分的年轻人们》中，马塞尔·卡尔内不但是画面的掌控者，还让《不安分的年轻人们》的演员有了即兴表演时刻，而这些暧昧意象的不确定性与全片这一若隐若现的主题相互呼应。

不安分的年轻人们剧情讲述了Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.