心中的故乡

• HD中字

• HD中字

心中的故乡电影是一部上映于1949年的剧情片，在韩国上映后获得了电影迷的一致好评，其中主演Choi,Eun-Hee,,Byeon,Ki-Jong,,Yoo,Min,,Kim,Seon-Young,,Seok,Keum-Seong,,Nam,Seung-Min等人也有不孰的表现，《心中的故乡》电影的整体故事节奏进展有序，《心中的故乡》背景人物、矛盾冲突都在电影中交代清楚了，《心中的故乡》的台词也蛮有梗有趣的，同时对于《心中的故乡》电影来说，至关重要的是《心中的故乡》导演尹龙奎将专业演员和非专业演员放在一起，这种对演员和表演直觉一般的把握，证明了尹龙奎的导演功力已经炉火纯青了。

如果你查看《心中的故乡》的演职员表；相信提起导演尹龙奎执导的特点，从《心中的故乡》里的第一场对话戏中，就可以看出导演尹龙奎对演员的要求是非常高的，《心中的故乡》也有一段纯对话戏，通过心中的故乡主演你来我往的深入聊天，来拉近观众与心中的故乡人物之间的关系。在《心中的故乡》中，尹龙奎不但是画面的掌控者，还让《心中的故乡》的演员有了即兴表演时刻，而这些暧昧意象的不确定性与全片这一若隐若现的主题相互呼应。

心中的故乡剧情讲述了Synopsis　　Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.　　Notes　　A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea.　　A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.　　Afterword　　- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.