水、风、土

• HD中字

• HD中字

水、风、土电影是一部上映于1989年的剧情片，在其它上映后获得了电影迷的一致好评，其中主演Majid,Niroumand等人也有不孰的表现，《水、风、土》电影的整体故事节奏进展有序，《水、风、土》背景人物、矛盾冲突都在电影中交代清楚了，《水、风、土》的台词也蛮有梗有趣的，同时对于《水、风、土》电影来说，至关重要的是《水、风、土》导演阿米尔·纳得瑞将专业演员和非专业演员放在一起，这种对演员和表演直觉一般的把握，证明了阿米尔·纳得瑞的导演功力已经炉火纯青了。

如果你查看《水、风、土》的演职员表；相信提起导演阿米尔·纳得瑞执导的特点，从《水、风、土》里的第一场对话戏中，就可以看出导演阿米尔·纳得瑞对演员的要求是非常高的，《水、风、土》也有一段纯对话戏，通过水、风、土主演你来我往的深入聊天，来拉近观众与水、风、土人物之间的关系。在《水、风、土》中，阿米尔·纳得瑞不但是画面的掌控者，还让《水、风、土》的演员有了即兴表演时刻，而这些暧昧意象的不确定性与全片这一若隐若现的主题相互呼应。

水、风、土剧情讲述了This is an unusual film of exceptional values--75 minutes long in color, with hardly any spoken dialogs. I saw this Iranian film in Farsi without English subtitles at the Early Iranian cinema retrospective on-going International Film Festival of Kerala, India. That I was watching a print without subtitles did not make a difference as there were very few lines of spoken dialogs.　　This is a very accessible film for any audience to enjoy--its story and values are not merely Iranian, it's universal.　　The film is set in rural Iran that had not tasted petro-dollar prosperity. The setting is on fringes of desert land, where water is scarce, rainfall scanty and hardly any blade of grass is green. Add to it wind and dust that buffets and whips man and animal and you can imagine plight of the people who live on the fringes of society.　　The film is moving tale of a young teenager returning to his village with a goat--only to find his family and villagers have moved on to escape natures vagaries and that one old man remains. He gives the goat to him and goes in search of his family. Water is scarce and well water it treated with reverence and never wasted.