苏联挽歌电影是一部上映于1989年的剧情片,在其它上映后获得了电影迷的一致好评,其中主演亚历山大·索科洛夫等人也有不孰的表现,《苏联挽歌》电影的整体故事节奏进展有序,《苏联挽歌》背景人物、矛盾冲突都在电影中交代清楚了,《苏联挽歌》的台词也蛮有梗有趣的,同时对于《苏联挽歌》电影来说,至关重要的是《苏联挽歌》导演亚历山大·索科洛夫将专业演员和非专业演员放在一起,这种对演员和表演直觉一般的把握,证明了亚历山大·索科洛夫的导演功力已经炉火纯青了。
如果你查看《苏联挽歌》的演职员表;相信提起导演亚历山大·索科洛夫执导的特点,从《苏联挽歌》里的第一场对话戏中,就可以看出导演亚历山大·索科洛夫对演员的要求是非常高的,《苏联挽歌》也有一段纯对话戏,通过苏联挽歌主演你来我往的深入聊天,来拉近观众与苏联挽歌人物之间的关系。在《苏联挽歌》中,亚历山大·索科洛夫不但是画面的掌控者,还让《苏联挽歌》的演员有了即兴表演时刻,而这些暧昧意象的不确定性与全片这一若隐若现的主题相互呼应。
苏联挽歌剧情讲述了“It is a film from an extended series. It is hard to say who is the main character of “The Soviet Elegy.” There are more than a hundred faces of our compatriots. But, of course, it is not by chance that it is the destiny of a famous political figure, Boris Nikolayevitch Yeltsin, that bears a special accent in the film. Though he got to power following quite typical ways, his uncommon character puts him out of the ordinary, and in the author’s opinion it may be determined by his uncommon human nature. Our hero exists within the tragic pattern of the soviet socialist life. He is a character of a drama, of which he is one of the authors. “The Soviet Elegy” can hardly be called a documentary film in the proper sense. Of course, the author guarantees the accuracy of chronology, but he insists on an artistic mode of thinking, not on a political or historical investigation.”
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