难以置信的事实

• HD中字

• HD中字

难以置信的事实电影是一部上映于1989年的喜剧片，在美国上映后获得了电影迷的一致好评，其中主演安德林妮·夏莉,罗伯特·约翰·伯克,马特·马洛伊,凯莉·莱卡特等人也有不孰的表现，《难以置信的事实》电影的整体故事节奏进展有序，《难以置信的事实》背景人物、矛盾冲突都在电影中交代清楚了，《难以置信的事实》的台词也蛮有梗有趣的，同时对于《难以置信的事实》电影来说，至关重要的是《难以置信的事实》导演霍尔·哈特利将专业演员和非专业演员放在一起，这种对演员和表演直觉一般的把握，证明了霍尔·哈特利的导演功力已经炉火纯青了。

如果你查看《难以置信的事实》的演职员表；相信提起导演霍尔·哈特利执导的特点，从《难以置信的事实》里的第一场对话戏中，就可以看出导演霍尔·哈特利对演员的要求是非常高的，《难以置信的事实》也有一段纯对话戏，通过难以置信的事实主演你来我往的深入聊天，来拉近观众与难以置信的事实人物之间的关系。在《难以置信的事实》中，霍尔·哈特利不但是画面的掌控者，还让《难以置信的事实》的演员有了即兴表演时刻，而这些暧昧意象的不确定性与全片这一若隐若现的主题相互呼应。

难以置信的事实剧情讲述了Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.