极度恐慌1983

• HD中字

• HD中字

极度恐慌1983电影是一部上映于1983年的恐怖片，在西班牙上映后获得了电影迷的一致好评，其中主演Paul,Naschy,Julia,Saly,Lola,Gaos等人也有不孰的表现，《极度恐慌1983》电影的整体故事节奏进展有序，《极度恐慌1983》背景人物、矛盾冲突都在电影中交代清楚了，《极度恐慌1983》的台词也蛮有梗有趣的，同时对于《极度恐慌1983》电影来说，至关重要的是《极度恐慌1983》导演Jacinto,Molina将专业演员和非专业演员放在一起，这种对演员和表演直觉一般的把握，证明了Jacinto,Molina的导演功力已经炉火纯青了。

如果你查看《极度恐慌1983》的演职员表；相信提起导演Jacinto,Molina执导的特点，从《极度恐慌1983》里的第一场对话戏中，就可以看出导演Jacinto,Molina对演员的要求是非常高的，《极度恐慌1983》也有一段纯对话戏，通过极度恐慌1983主演你来我往的深入聊天，来拉近观众与极度恐慌1983人物之间的关系。在《极度恐慌1983》中，Jacinto,Molina不但是画面的掌控者，还让《极度恐慌1983》的演员有了即兴表演时刻，而这些暧昧意象的不确定性与全片这一若隐若现的主题相互呼应。

极度恐慌1983剧情讲述了PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,